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GREG CURDA
Supervising Sound Mixer
Sound Mixer Greg Curda's more than thirty years in the film industry has yielded vast credits that include Indecent Proposal (1993) and The Godfather: Part III (1990). He began his career in 1973 as an Assistant Sound Editor of the award-winning television series Mutual of Omaha's Wild Kingdom . In 1980 he joined the Disney Studios in Los Angeles and quickly advanced to the position of Sound Mixer in both Production and Post-Production, working on television shows such as the 1985 Mac Guyver and features such as Good Morning, Vietnam (1987). Curda moved to Paramount Pictures in 1988 to concentrate primarily on Foley Sound Effects. As a result, the team received twelve Golden Reel nominations; four Academy Award nominations; and, one Academy Award for the 1990 film adaptation of the Tom Clancy novel, The Hunt for Red October.
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LES WOLF
Supervising Sound Editor
This sound editor has cut them all - from animation to television shows to motion pictures. His volume of work includes episodes for cartoons such as I am Weasel (1999), Cow and Chicken (1997) and The Ren and Stimpy Show (1993). Also in Les Wolf's credits are the memorable television dramas Doogie Howser M.D. (1989), L.A. Law (1986), and the ASCAP Award-winning Patriot Games (1992). It was during a stint with Horta Editorial that Wolf earned full editor status and garnered numerous recognitions - thirteen Golden Reel Awards and four Emmy Award nominations, and one Emmy Award for his work on Nickelodeon's Angry Beavers cartoon series.
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IVAN KINTANAR
VFX Technical Director
Ivan Kintanar's credits cover stints as Creature TD, CGI TD, VFX Supervisor and Post Production Supervisor for over thirty films and a number of TV projects. He has been a key contributor in the development of VFX workflows and pipelines in all the companies he has served, with contributions in such areas as Creature Pipelines, Matchmoving, Dynamics and Simulations, Digital Painting-Sculpting, Mentalray Rendering, Previs, Roto-Paint, VFX Data/File Management, Color Management/Color Pipelines and onset VFX Supervision. Since 2005, Kintanar has been supervising VFX sequences and pipelines for Bigfoot Entertainment - including VFX/CGI Design, 3D Animation and FX, Compositing and Motion Graphics.
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JAN LEUNG
Lead Compositor/Digital Intermediate Colorist
Jan Leung kick started his career in Post Production by doing Motion Graphics for various international TVCs. After a brief stint in Compositing he transitioned to eventually become Bigfoot Entertainment's Lead Compositor and Digital Intermediate Colorist. Leung's expertise in After Effects and Apple COLOR are seen in the Bigfoot Entertainment feature films Irreversi/Hui Lu, Within, Midnight Movie and the documentary USS Cooper: Return to Ormoc Bay. He also holds great proficiency in Visual Effects.
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MARK FERNANDEZ
CGI Department Head
Mark Fernandez, who takes the lead in Bigfoot Entertainment's CGI Department, has been giving essential 3D Animation, 3D Modeling, Compositing and Rendering TD to many Bigfoot Entertainment projects since 2004. In his specialization in 3D Design and Animation with MAYA and designing Special Effects, Fernandez has provided character animation for music videos, done R&D on Mental Ray Rendering and HDRI usage on CG over live footages, produced custom HDRI for corporate projects, and created a whole war scene in the Bigfoot Entertainment documentary, USS Cooper: Return to Ormoc Bay.
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KRISTOFFER VILLARINO
Head Editor
Head Editor Kristoffer Villarino began his career in filmmaking by directing and editing music videos and short films. A short film that he wrote and directed, Binaliw, was a finalist at the MOV International Digital Film Festival and the second prize at the 15 th Cultural Center of the Philippines Awards for Alternative Film and Video. He has edited several of Bigfoot Entertainment's feature length projects including the dual-language film Irreversi/Hui Lu, the horror flick Midnight Movie, and the documentary USS Cooper: Return to Ormoc Bay.
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JONATHAN TEJANO
Lead VFX Artist
Jonathan Tejano holds a solid eight-year background in Print Media with which, in 2004, he made a smooth transition to Visual Effects. As Bigfoot Entertainment's Lead VFX Artist, Tejano focuses on Modelling, Texturing, Animation and Matchmoving. His Visual Effects work has been a key element in several local and foreign commercials and such Bigfoot Entertainment feature films as Within, Midnight Movie, Irreversi, and Deep Gold. Additionally, Tejano served as Lead Modeller on the documentary USS Cooper: Return to Ormoc Bay.
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