Kacy spent nine years in production and project development at Los Angeles-based Hyperion Studio. This includes work as one of the Producers on Miramax's Playing By Heart (Sean Connery, Gena Rowlands and Angelina Jolie). Kacy's portfolio at Hyperion also includes the feature film Tom's Midnight Garden (Joan Plowright); BoneChillers, a children's television series for ABC (Linda Cardellini); and numerous animated projects such as FOX's Life With Louie (Louie Anderson); HBO's Happily Ever After: Fairy Tales for Every Child (Denzel Washington and Whoopi Goldberg); and Paramount Pictures' The Oz Kids (Jonathan Taylor Thomas).

Moving from Hyperion, Kacy had a stint as Vice President of Development at Blue Focus Management where she worked on developing projects for MGM, Disney and Sony. She then dabbled in the dotcom and software arena at Creative Planet and Entertainment Partners.

In 2003, her consulting work at Bigfoot Productions led to the creation of Bigfoot Entertainment and the International Academy of Film and Television. As the CEO and co-founder, she has overseen the set-up and development of the studio located in Cebu, Philippines with offices in Singapore, HK and Los Angeles. The company has since grown to more than 250 employees both foreign and local.

Over the past few years, Bigfoot Entertainment has invested in several feature films, including Shanghai Kiss (Hayden Panettiere), East Broadway (Margaret Cho) and 3 Needles (Lucy Liu, Olympia Dukakis and Sandra Oh).

During her tenure at Bigfoot, she has served as a Producer of such feature films as; The Curiosity of Chance, Irreversi (Estella Warren), Hui Lui, Within, Girl With No Number, and Midnight Movie which aired this past summer on Showtime Network. She has also produced documentaries, 9000 NEEDLES and USS Cooper as well as reality series’ Hollywood Boot Camp. These projects have been shot in such international locations as Belgium, Hong Kong, Thailand, Vietnam, The Philippines and Los Angeles. Many have played the film festival circuit and received numerous accolades before going into the marketplace.

Kacy is a recipient of the David Letterman Internship and a Cum Laude graduate of Ball State University with continuing studies at the American Film Institute. In 2000, she was awarded Ball State University's Graduate of the Last Decade and more recently was awarded the Distinguished Alumni Award. Since her move to Los Angeles, where she’s based, she has been actively involved with organizations such as Women in Film, Step-Up, and Big Sisters/Big Brothers of Los Angeles. She currently sits on the Board of Governors of Bigfoot Asia Pacific Foundation.

Prior to joining Bigfoot Studios, Kenneth owned and operated a production studio in Munich Germany for 10 years that specialized in audio post production, video post, and video production. He has also been producer, director, director of photography, camera operator, and on-camera talent.

An avid diver, Kenneth is a Master Instructor of Diving and a Nitrox instructor, having owned and operated a PADI 5 star IDC center in Canada, and is also a certified equipment repair technician with all major brands of dive gear and a certified Resort Operations Specialist. As an instructor, his work has brought him around the world to exotic dive spots such as Vanuatu, The Solomon islands, Fiji and on the Great Barrier Reef in Australia, and has dived in practically every possible situation.

From 1996, Frank’s path as an independent sound supervising editor saw him accumulating a wealth in film credits. Having worked with major powerhouses such as Universal Pictures, Warner Brothers, and Sony Pictures, he has added to his name feature films such as Bill & Ted's Excellent Adventure (Keanu Reeves, Alex Winter, Goerge Carlin), House Arrest (Jamie Lee Curtis, Kevin Pollak, Jennifer Love Hewitt), Fallen (Denzel Washington, John Goodman), No Good Deed (Samuel L. Jackson, Milla Jovovich, Stellan Skarsgård), and xXx (Vin Diesel, Asia Argento, Samuel L. Jackson).

After a short hiatus from the industry, 2010 marks Frank’s comeback to film post production as he recognized new opportunities in working with Bigfoot Studios and their non-linear, non-traditional approach to filmmaking. In a historically traditional industry, this approach has created tremendous possibilities in the realm innovation.